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Premiere Pro CS6
Adobe Premiere Pro
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Adobe Premiere Pro CS6 Patch.Dll and Serial Keys Free Download
Adobe Premiere Pro CS6 New features:
Redesigned, customizable user interface
New default workspace
Premiere Pro CS6 has a new default editing workspace with larger Source and Program monitors (a configuration referred to as “2-up”). This view allows you to view high-definition video much more easily in this workspace.
To return to the standard editing workspace found in Premiere Pro CS5.5 and earlier, choose Window > Workspace > Editing (CS5.5).
Redesigned Source and Program Monitors
The Source and Program monitors have been redesigned to be more customizable.
Customizable button bar.
Timecode numbers can be toggled on or off (also available in the Timeline).
Pop-up menu for direct access to playback resolution.
Setting button for easier access to monitor settings.
Redesigned Project panel
The Project Panel has been redesigned with these features:
Resizable clip thumbnails.
Clip thumbnails maximized to use space more efficiently.
In thumbnail view, scrub clips by dragging the mouse across a thumbnail. This technique is called “hover scrubbing”.
In thumbnail view, clips can be selected and scrubbed with the Clip Playhead, or by using the JKL and Spacebar keyboard shortcuts.
Mark In and Out points on clips as you are scrubbing, or on the fly as you are playing back by using the JKL and Spacebar keyboard shortcuts.
A usage icon can be used to navigate to clips in sequences.
A panel that displays oversized timecode, and feet+frames is now available in Premiere Pro CS6.
To view the Timecode panel, choose Window > Timecode.
Primary edit display in Cinema mode
Put either the Program monitor or the Source monitor into full-screen, “cinema” mode on your system’s primary display.
To toggle Cinema mode on and off, press the Ctrl key and the Accent key, and then click either the Source monitor or Program monitor. Press the keyboard shortcuts once more to return to the interface.
Dropped Frame indicator
Both the Source and the Program monitor now have the option to display an icon that indicates if frames are being dropped during playback.
Trackpad gesture support for Mac OS
Use trackpad gestures to navigate the Timeline and other panels in Premiere Pro using the MacBook Pro’s trackpad or the Apple Magic Trackpad.
Editing workflow improvements
Mercury Playback Engine improvements
The Adobe Mercury Transmit feature enables third-party capture cards to plug directly in to the performance of the Mercury Playback Engine. The feature gives you access to CUDA acceleration and enhanced support for SDI I/O and professional broadcast monitoring.
New support for the OpenCL-based AMD Radeon HD 6750M, and 6770 graphics cards makes the Mercury Playback Engine (Hardware) available on certain Apple MacBook Pro computers.
Efficient ingest and logging with Adobe Prelude
Ingest clips using Adobe Prelude. Then log clips and create subclips, markers, In and Out points, searchable notes, metadata, and rough cuts. You can bring the data from the Prelude project right into Premiere Pro.
You can now use more than four camera angles in multicam editing. You are limited in number of angles only by the power of your computer. It’s also easier to create multicam sequences.
There are powerful new options for quickly selecting and shifting edit points using the mouse, new keyboard shortcuts, or the numeric keypad. JKL dynamic trimming is supported, as well. The new Trim Mode provides a two-up display showing the outgoing and incoming frames right inside the Program monitor. Timeline trimming has also been improved with a keyboard driven workflow.
To open Trim mode, double-click any edit point.
The Timeline transport now continues playback unless the user specifically issues a Stop command. This feature supports real-time adjustment of common editing actions.
New functionality for clip markers
Clip markers have been improved with color labels and the ability to span duration of time. Functionality previously available only in sequence markers is now available in clip markers. Customize markers in the redesigned Marker dialog box. View all of your clip markers in the new Markers panel.
Improved Adobe Dynamic Link
Improved Dynamic Link, including performance enhancements, and removal of the limitation of Dynamic Link to only work within a suite (for example, Dynamic Link will now work between CS6 applications purchased as individual products).
In Premiere Pro CS6 (6.0.1), smart rendering capability has been added for Long GOP MPEG2 OP1a exports, where the original material is a matching long GOP MPEG2 OP1a or XDCAM EX file. Smart rendering in Premiere Pro CS6 (6.0.1) accelerates MXF render times for long
Support for growing files
Growing files are video files which grow in duration after they are ingested. Premiere Pro CS6 now supports growing files for the following codecs:
RDD9-compliant XDCAM HD 50/35/25/18
QuickTime wrapped files in these formats are supported in Premiere Pro CS6 (6.0.2), and later
Audio workflow improvements
Redesigned Audio Mixer
The Audio Mixer panel has been redesigned to include the following features.
Select between two visual metering modes.
Double-click a fader to return it to 0dB.
Separate dB scales for the meters and faders.
A context menu for meter options in the panel menu.
Redesigned Audio Meter panel
The Audio Meter panel has been redesigned to be more accurate, customizable, and easier to use. The Audio Meter panel offers these features:
Meters auto layout horizontally or vertically
Meters scale as needed
New Solo buttons for each channel
Audio Meter panel now meters the Source Monitor content
Several options for displaying audio
New audio track functionality
Mono and stereo audio tracks are no longer separate. A new kind of audio track, called “Standard” can contain both stereo and mono clips.
Improved audio channel functionality in Source monitor
In the Source monitor, you can now view clips with multiple audio channels, including grouped clips, or merged clips.
Use time code from master audio in merged clips
A new DSLR workflow allows you to use the time code from an audio master clip to be used when you create a merged clip. You can also choose to omit the source camera audio when creating a merged clip.
Effects enhancements and workflow improvements
Adjustment layers, used in products like Photoshop and After Effects, are now available in Premiere Pro CS6. Adjustment layers are useful for many things, including greater control in color correction.
To add an adjustment layer to your project, select the Project panel and then choose File > New Adjustment Layer.
Warp Stabilizer effect
Formerly available only in After Effects CS5.5 (and later), Warp Stabilizer is a CUDA accelerated effect that allows you to smooth out shaky, handheld footage.
Locate the effect in the Effects panel, Effects > Distort > Warp Stabilizer.
Rolling Shutter Repair effect
Use the Rolling Shutter Repair effect for fixing clips with rolling shutter artifacts.
Locate the effect in the Effects panel, then choose Effects > Distort > Rolling Shutter Repair.
Redesigned 3-Way Color Corrector effect
The 3-Way Color Corrector effect is more intuitive. Tools are easier to find and use.
The 3-Way Color Corrector is located in the Effects panel. Choose Effects > Color Correction > 3-Way Color Corrector.
Adobe SpeedGrade Color Correction
Export sequences to Adobe SpeedGrade to professionally color-grade your work.
To export your sequence to SpeedGrade, select it in the Project panel, and then choose File > Send to Adobe SpeedGrade. You can also export an EDL from Premiere Pro and import it into SpeedGrade and reconnect the clips.
Adobe Premiere Pro CS6 system requirements
Intel® Core™2 Duo or AMD Phenom® II processor; 64-bit support required
Microsoft® Windows® 7 with Service Pack 1, Windows 8, or Windows 8.1. See the CS6 FAQ for more information about Windows 8 support.*
4 GB of RAM (8 GB recommended)
4 GB of available hard-disk space for installation; additional free space required during installation (cannot install on removable flash storage devices)
Additional disk space required for preview files and other working files (10 GB recommended)
1280 x 900 display
OpenGL 2.0–capable system
7200-RPM hard drive (multiple fast disk drives, preferably RAID 0 configured, recommended)
Sound card compatible with ASIO protocol or Microsoft Windows Driver Model
DVD-ROM drive compatible with dual-layer DVDs (DVD+-R burner for burning DVDs; Blu-ray burner for creating Blu-ray Disc media)
QuickTime 7.6.6 software required for QuickTime features
Optional: Adobe-certified GPU card for GPU-accelerated performance
This software does not operate without activation. Broadband Internet connection and registration are required for software activation, validation of subscriptions, and access to online services.* Phone activation is not available.